By Lynn Jones

The twelve papers written for this quantity replicate the vast scope of Annemarie Weyl Carr's pursuits and the both broad effect of her paintings. The thoughts linking the essays contain the exam of shape and which means, the connection among unique and duplicate, and reception and cultural identification in medieval artwork and structure. Carr’s paintings specializes in the thing yet considers the viewers, seems on the replica for retention or rejection of the unique shape and which means, and regularly seeks to appreciate the connection among cause and notion. She examines the elusive nature of ’center’ and ’periphery’, increasing and enriching the discourse of manuscript creation, icons and their copies, and the dissemination of fashion and that means. Her physique of labor is remarkable in its chronological scope and geographical volume, as is her skill to tie jointly facets of patronage, creation and effect around the medieval Mediterranean. the amount opens with an summary of Carr’s occupation at Southern Methodist collage, through Bonnie Wheeler. Kathleen Maxwell, Justine Andrews and Pamela Patton give a contribution chapters during which they learn workshops, subgroups and affects in manuscript construction and reception. Diliana Angelova, Lynn Jones and Ida Sinkevic provide explorations of cause and reception, concentrating on imperial patronage, relics and reliquaries. Cypriot reports are represented by means of Michele Bacci and Maria Vassilaki, who learn elements of shape and elegance in structure and icons. the ultimate chapters, via Jaroslav Folda, Anthony Cutler, Rossitza Schroeder and Ann Driscoll, are associated through their specialise in the character of copies, and tease out the ways that that means is retained or altered, and the function that's performed via reason and reception.

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Byzantine Images and their Afterlives: Essays in Honor of by Lynn Jones
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